Until the end of the Sea

Phase one. Work hypothesis and methodology.

Photo courtesy Domenico Licchelli
Photo courtesy Domenico Licchelli

Until the end of the sea is a research project on the theme of the so-called Extreme Lands declined in three phases. This that has just ended, the first, is in some ways the most delicate as it was based on the need to establish coordinates and codes in a very short time that necessarily leads to forcing in the relations between the territory and its landscape both geographic and anthropological; the station as the heart of the research; and the artists that  for two weeks have lived in the station responding to the theme of the extreme acting almost as incubators of an experience that has been limited, so far, to gather information and knowledge of different nature intertwining with an extremely slow time.

A working session at Lastation with Domenico Licchelli

The moments of pause, almost declined in a leisure dimension are, in fact, in the context of a six months research project whose goal is not to produce a work but a book, as important as those of knowledge and deepening. These moments then intertwined with the everyday life and those places that feed the social relations to Gagliano del Capo; the traces left by the artists who participated in the past editions; the professionals and finally the associations that operate in the same territory.

In this phase, in fact, the high knowledge, in particular the scientific one that had as objective to mark the boundaries and to delineate the geomorphological structure of the territory and its possible implications of anthropological nature, it mingled in a almost organic way with the most varied forms of knowledge: from the one made directly through the excursions, to that of the transmission of the memory through the narrative, to the agronomic to, finally, the emotional one.

Luca Coclite design a map of the Extreme Lands through the works made by the artists that have participated in the previous editions

The territory in its vast stratigraphy has acted as a kind of platform, or rather, a complex device of traces or points so far suspended that will be finally united in a time not driven by the mechanisms of the forced production or rather in a form that, through the book, will become a sort of rhizome leaving free space to other hypotheses of work and research for the artists themselves, for Ramdom and for those artists/researchers who will come afterwards.

Exploring the territory with Association Salento Verticale

_____

Binds, traces, notes…

Photo curtesy Carolina Valencia Caicedo
Photo curtesy Carolina Valencia Caicedo
Photo curtesy Lia Cecchin
Photo curtesy Lia Cecchin